
Kick-off Event, October 22, 1996; shown above are Senator Robert
D. Wetmore of Barre and hundreds of students from Boston's Lucy Stone
School who made the first donation to the project; other speakers
included Evelyn Murphy, Senator Lucile P. Hicks, and Dr. Selma
Botman.
In 1996, Massachusetts Senator Robert D.
Wetmore of Barre watched a PBS television special on the leaders of
the women's suffrage movement. He was struck by how many of these
19th-century pioneers were from the state he represented, including
Lucy Stone. Shortly thereafter, he visited the capitol building in
Washington, D.C. and noticed that among all of the statues, busts,
and paintings on display, NONE were of women. Returning home to
Boston, he noticed the same discrepancy at the Massachusetts State
House and he decided to do something about it.
Senator Wetmore formed a committee of renowned historians, educators,
librarians, and members of the state's cultural community. They met
and discussed for a year, and chose six women leaders to honor in
works of art that would be permanently displayed at the State House.
They honorees were Dorothea Lynde Dix, Lucy Stone, Sarah Parker
Remond, Josephine St. Pierre Ruffin, Mary Kenney O'Sullivan, and
Florence Luscomb. Each one helped bring about important change in
Massachusetts and the nation in the areas of anti-slavery, women's
suffrage, labor and social reform, the women's club movement, and
peace.
Senator Wetmore also asked the Massachusetts Foundation for the
Humanities (MFH) to manage the project -- to raise the money, and get
it done. As Director of External Affairs, Bonnie Hurd Smith was
designated project manager.
Tasks:
sought endorsements from cultural and political
organizations throughout the state who could assist with fundraising
and friendraising, publicize and attend events, and make the project
community-based from the start
created a Steering Committee comprised of legislators, the
Mass. Cultural Council, State Art Commission, and Advisory Committee
members; this committee hired Urban Arts to manage the artist
selection process
worked with Senator Wetmore's Advisory Committee and the MFH
Board of Directors to attract support
developed publicity and fundraising materials including:
- project logo and photographs of the women that would be used
throughout
- case statement
- regular newsletter for donors
- special event flyers and invitations
managed fundraising appeals and follow-through
planned, managed, and sometimes spoke at special events
Today, "Hear Us," a blending of imagery and text, may be seen on
the first bloor of the Massachusetts State House. MFH also developed
a curriculum that is free to Massachusetts teachers entitled "Making
the World Better: The Struggle for Equality in 19th Century America."
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